performance art – Posthuman Aesthetics

(Mis)communication in “I like America and America Likes Me”

In Joseph Beuys’ performance “I Like America And America Likes me” took place in 1974 at the Soho art gallery

Establishing a link between the posthuman and other theoretical frameworks that have sought to unsettle essentialist conceptions of the subject,

Crushing of artistic canons has probably reached its point of no return with bioart. According to Robert Mitchell, a professor

Being inspired by the concept of ‘becoming’, I set out to explore human non-human intra-action creating a durational site-specific performative