I know we’re supposed to write about something that hasn’t come up in the lectures and readings. But I really want to pick the collective brain here with regard to a couple of questions I’ve long had about “The Matrix.”
After Neo takes the blue pill and learns the horrid truth that his life is but a computer simulation, he joins Morpheus’s team of rebels dedicated to the destruction of the Matrix and the liberation of humankind. Two questions interest me. 1) Why do the intelligent machines that have enslaved humans in order to harvest their “bioelectricity” for power bother to give the latter the Matrix or a simulated life of fun and fulfillment? Wouldn’t it be simpler and safer if the humans are simply kept in the gooey vats in a vegetative state—like the way we keep livestock animals in battery cages without taking the trouble to wire them up for an elaborate dream life?
My initial response is that we don’t know how to tell a story (an aesthetic exercise) other than from the subjective perspective of the experiencing self. Of course the story could also be told from the point of the view of the machines, but as soon as we do that, the machines are anthropomorphized, i.e., endowed with “qualia.” So to tell the story of the physically immobilized humans, they have to be given a mental life that renders them subjects, however illusory.
2) After Neo joins Morpheus’s group, he undergoes training in martial arts. We see him strapped in a chair and jerk violently as his virtual self is being wacked about by the kungfu master. But why is it his simulated body in the Matrix rather than his real body that is being trained? Which philosophical doctrine underlies this plot contrivance—idealism, materialism, or dualism? Is kungfu a first-person embodied skill or an objective, discrete process that can be coded and downloaded? Can one (a human or a machine) learn kungfu by having a kungfu-chip implanted in one’s head without having to spend the proverbial 10,000 hours punching and kicking and yowling like Bruce Lee? The movie seems to be of two minds about this, hence the strange montage of Neo in a wired-up chair and Neo flying across the tatami room.