Thinking machines and becoming bats – what are the pressing questions of the 21. Century?

THOMAS THWAITES: GoatMan: How I Took a Holiday from Being Human
THOMAS THWAITES: GoatMan: How I Took a Holiday from Being Human

The chosen artwork for this assignment takes an embodied approach to the question for the means of our mental and physical existence: the artist Thomas Thwaites lived among a herd of goats in the Alps wearing a goat exoskeleton to escape “the angst inherent in being a human.” (Thwaites, Thomas: http://www.thomasthwaites.com/a-holiday-from-being-human-goatman/)

Thwaites turns Nagels question of “what is it like to be a bat“ (Nagel, Thomas: “What is it like to be a Bat?”, The Philosophical Review; Vol. 83, No. 4 (Oct., 1974), pp. 435-450)  into “what is it like to be a goat” – not so much though to experience the being of another species than human but to escape the humanness. One might see here a certain functionalism-thinking set into place: if the artist looks like a goat, eats and walks like a goat – is he thus a goat? This evoking of the goat, of the Other leads Thwaites to a maybe analogical conclusion as Benjamin Bratton, saying that Turings question of „can machines think?“ conceals the possibility to learn „what thinking can be  (and for that matter, what being human can be)“ Bratton, Benjamin: Outing A.I.: Beyond the Turing Test. The New York Times, 2015/02/23. Thwaites concludes: „(…) the characteristic most useful in modern life is something else; being present in the moment perhaps.“ It seems that it´s worthwhile to rethink the questions we pose today instead of sticking to old questions and concepts.

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Eva Krarup
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Eva Krarup
The way Thwaites’ project turns Nagel’s argument upside down and shifts focus from empathy to escapism is interesting. We might not, according to Nagel, be able to feel what it is like to be a bat, but can we then escape from our inside, subjective experience of being human by trying to imitate another animal? With the article by Herbrechter and Callus from last lecture at the back of my mind, I can’t help seeing this project as another example of how the exploration of the posthuman flips over to an exploration and re-confirmation of the human and the borders… Read more »
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